Selfpoietic Murmurs
(Human-Assets Ver.)
Regular Update
The term "selfpoietic" derives from biologists Humberto Maturana and Francisco Varela's theory of *autopoiesis* (self-creation), modified to describe self-sustaining, self-defining systems (such as cells, consciousness, or social systems). Within the framework of complex systems, these systems achieve "operational closure" through continuous self-observation—they remain structurally closed to external environmental changes while staying open to the exchange of energy and matter, thereby perpetually generating their own components and systemic boundaries. The imagery of *murmurs* poetically likens this process of self-exploration and regeneration to a low, secretive, and lingering whisper, as if the system were perpetually uttering the soft sounds of its own renewal.
I will continuously create and update digital fashion designs and visual imagery using 3D digitalization. The collection of the works integrate elements of self-reference, biomorphic forms, social metaphors, and natural motifs to explore the dynamic relationships between identity, systems, and organisms. Through virtual materials, fluid structures, and parametric design, they manifest an ever-evolving digital ecosystem.
"Selfpoietic"一词源自生物学家Humberto Maturana和Francisco Varela提出的"autopoiesis"（自创生）理论，经变形后用于描述那些具有自我维持、自我定义特性的系统（如细胞、意识或社会系统）。在复杂系统语境下，这类系统通过持续自我观察实现"操作闭合"——它们对外部环境变化保持结构性封闭，却对能量与物质交换维持开放性，以此不断生成自身的组成元素及系统边界。而"murmurs"这个意象则巧妙地将这种自我探索与再生的过程，隐喻为一种低沉隐秘、绵延不绝的絮语，仿佛系统在持续发出自我更新的呢喃。
我将持续以3D数字化的形式创作更新时尚设计与视觉影像。这一系列设计融合自我指涉、生物形态、社会隐喻与自然意象等元素，探索身份、系统与有机体之间的动态关系。通过虚拟材质、流体结构及参数化设计，呈现一种不断演化的数字生态。